The original Turkey Red medallions may have been inspired by oak leaf or cock’s comb designs, and are somewhat reminiscent of Princess Feather shapes in their flared tips. The central turkey red appliqué shapes encase single tan (dun) Oak leaf or Princess Feathers, which are then also placed outside of the medallion. The end result radiates out from the open center, creating a symmetrical design unlike any I have seen. It is as if the quiltmaker was inspired by the period’s large cock’s combs, oak leafs, and Princess Feathers and sat down to create a pattern herself with the visual inspiration in mind but out of sight. Quilt scholars have commented that the pattern could be inspired by a cotton boll pod.
This quilt features all the wear and tear one can expect with an aged quilted textile that has been used and stored. Fortunately, the key fabrics are generally in great shape, with no bleeds, no flocking, and little overall deterioration with a few holes and scattered staining as pictured (especially on the back). There is significant staining on the back of the quilt along the fold lines and deterioration of the backing fabric in one corner. The binding is in place around the entire quilt, but is fraying and torn throughout. This age related wear and damage adds to the interest and appeal of this truly unique early quilt from a Mississippi estate.